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Presonus Quantum ES Ultimate Bundle
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Was £469.00 Save £50.00
£419.00
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3 AvailableOrder before 4PM for Delivery Tomorrow
Includes Extended Exchange & 3-Year Warranty
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Manufacturer's ID: 2777904104
EVERYTHING YOU NEED, NOTHING YOU DON'T.
The PreSonus Quantum ES Ultimate Bundle is your one stop shop for professional studio-quality recording. Featuring the high-performance Quantum ES 2 USB-C Audio Interface with all-new MAX-HD mic preamps, a Studio One Pro software license and 12 months of access to tools, extras, add-ons, and more with Studio One+, a pair of powerful Eris 3.5 Studio Monitors packed with low-end punch, a pair of HD9 dynamic high-definition headphones, and an exceptionally clear M9 cardioid condenser microphone, the PreSonus Quantum ES Ultimate Bundle gives you everything you need to create like a pro.
PreSonus Quantum ES 2 USB-C Audio Interface
- 2x2, 24-bit / 192 kHz USB-C Audio Interface
- High Performance Signal Flow – Custom low-latency drivers and low-noise converters.
- All-New MAX-HD Mic Preamps – The culmination of 30 years of innovation, our rigorously redesigned preamps feature digitally-controlled analog with +75 dB of gain range.
- Co-Developed with Fender® – Front-facing instrument input engineered for guitarists by industry-leading experts.
- Auto Gain – Dial in recording-ready levels, hassle-free.
- Universal Control App – Full control and metering from your mobile device, desktop, or tablet.
Studio One Pro DAW Recording Software License Included
Studio One Pro software license and 12 months of access to tools, extras, add-ons, and more with Studio One+.
PreSonus Eris 3.5 Studio Monitors
- 3.5-inch, woven-composite, low-frequency driver
- 1-inch, ultra-low mass, silk-dome, high-frequency driver
- 50W, Class AB dual amplification
- 80 Hz to 20 kHz frequency response
- 98 dB SPL (Peak, @ 1 meter)
- High- and low-frequency Acoustic Tuning controls
- Balanced, ¼-inch TRS inputs; unbalanced, ⅛-inch stereo and RCA inputs; and integrated stereo headphone amplifier with front-panel ⅛-inch output
- Protection: RF interference, output-current limiting, over-temperature, turn-on/off, transient, subsonic filter
- Power Saver mode (engages after 40 minutes)
- Comes with speaker wire, ⅛-inch TRS to stereo RCA cable, and stereo ⅛-inch TRS to ⅛-inch TRS cable
PreSonus M9 Microphone
- Exceptionally clear cardioid condenser microphone
- Vintage-inspired sound
- Satin nickel finish
- Die cast zinc housing
- 18mm pure aluminum diaphragm
- 20Hz-20kHz frequency response
- Shock mount
PreSonus HD9 Professional Monitoring Headphones
- Dynamic high-definition headphones with high-resolution drivers
- Precision-tuned acoustic chamber
- Extended bass response
- Comfortable and long-lasting ear pads
- Lightweight and collapsible
Specification
| Electronics | |
| Headphone Jack | One - 1/4" TRS Female Stereo |
| Connectivity | USB-C® |
| Voltage | 230V EUR |
| Input Impedance | 10 kΩ |
| Phantom Power | +48 VDC |
| Phantom Power Requirements | 48V |
| Performance | |
| Digital Audio Bit Depth | 24-Bit |
| Digital Audio Dynamic Range | 120dB |
| Headphone Maximum Power | 1800 mW |
| Headphone Rated Impedance | 40Ω |
| Headphone Sensitivity | 98 dB SPL (1 mW) |
| Maximum SPL | 134 dB (at 1 kHz = 1% THD) |
| Microphone Frequency Response | 20 Hz to 20 kHz |
| Microphone Sensitivity | -38dB±2dB (0dB=1V/Pa at 1kHz) |
| Peak SPL | 98 dB (@ 1 meter) |
| Polar Pattern | Cardioid |
| Inputs | |
| Instrument Inputs Dynamic Range | 111 dB (A-Weighted, Minimum Gain) |
| Instrument Inputs Frequency Response | 20 Hz to 20 kHz, +/- 0.2 dB (Unity Gain, Reference 1 kHz) |
| Instrument Inputs Gain Range | 75dB |
| Instrument Inputs Maximum Level | +15 dBu (Unbalanced, Minimum Gain) |
| Line Inputs Dynamic Range | 114 dB (A-Weighted, Minimum Gain) |
| Line Inputs Frequency Response | 20 Hz to 20 kHz, +/- 0.1 dB (Unity Gain, Reference 1 kHz) |
| Line Inputs Gain Range | +/- 10 dB |
| Line Inputs Impedance | 10K Ohms |
| Line Inputs Maximum Level | +15 dBu (Balanced, Minimum Gain) |
| Line Inputs Total Harmonic Distortion | 0.001% (1 kHz, Minimum Gain) |
| Microphone Input Connection Type | XLR Female (Combo), Balanced |
| Microphone Preamp Dynamic Range | 113 dB (A-Weighted, Minimum Gain) |
| Microphone Preamp Equivalent Input Noise | -129 dBu (Maximum Gain, 150 Ohms, 22 kHz BW, A-Weighted) |
| Microphone Preamp Frequnecy Response | 20 Hz to 20 kHz, +/- 0.2 dB (Unity Gain, Reference 1 kHz) |
| Microphone Preamp Gain Control Range | 75dB |
| Microphone Preamp Input Impedance | 1600 Ohms |
| Microphone Preamp Maximum Input Level | +14 dBu (Balanced, Minimum Gain) |
| Microphone Preamp Total Harmonic Distortion | 0.001% (1 kHz, Minimum Gain) |
| Speakers | |
| Crossover Frequency | 2.8kHz |
| Hardware | |
| Cabinet Material | Vinyl-Laminated, Medium-Density Fiberboard |
| Audio Controls | Volume High Frequency (±6 dB, center 10 kHz, continuously variable) Low Frequency (±6 dB, center 100 Hz, continuously variable) |
| Driver Type | 45 mm, Neodymium |
| Microphone Element | 18mm pure aluminum diaphragm |
| Microphone Types | Condenser |
| Midi IO | 3.5 mm Type-B |
| Monitor Inputs | 1- Stereo 1/8", 2 - Balanced 1/4” TRS, 2 - Unbalanced RCA |
| Power Amplifier Type | Class AB |
