Best Ever MXR pedals (Updated for December 2024)

Published on 17 December 2024

 

An MXR pedal or two on your board is a sign to other players.

It says that you’ve done your research, tested a bunch of possibilities, and ran with the best.

MXR have been one of the most major, iconic pedal brands on the planet for over 40 years. Writing a list of their notable players is an endless task, frankly, but you can certainly include David Gilmour, Slash and Eddie Van Halen to any list of noted MXR users. If they’re good enough for those guys...

These days, the palette of pedals and sounds available from this brand is exhaustive. They are singularly famous for their modulation and compression effects, but there’s plenty more to celebrate, including collaborations with respected designers like Jorge Tripps and artists like Green Day alongside game-changing preamps and pitch pedals.

Here are some of the best...

 

The Pedals at a Glance

M169 Carbon Copy Delay

M234 Analog Chorus

MXR M101 Phase 90

MXR M102 Dyna Comp

MXR M103 Blue Box

M236 Super Badass Variac Fuzz

M303 Clone Looper

 

 

 

M169 Carbon Copy Delay

Truly, this has become a real standard for quality pedal boards everywhere. The Carbon Copy is a simple analog delay pedal that gives you a beautifully judged, fully analog series of repeats that instantly ups your tonal game. You can set it for a retro slapback sound, you can add some subtle chorusing via the mod button (with extra secret controls for this function inside the pedal itself, like hidden treasure) but we like to stick the delay time relatively high, do the same for the regeneration, and pretend we are at Pompeii in the 1970s, where every note we play is undiluted genius. If a humble delay pedal can bring this kind of quality to your playing, then it is earning it’s rent for sure.

 

 

M234 Analog Chorus

Chorus is one of those effects that can really make a sound or part ‘happen’, depending on your application of it. A good chorus pedal, like a good delay, is worth its weight in gold. This is a really good one!

The M234 Analog Chorus is thick and chewy if you want it to be, and liquid-ey and subtle if you want that instead. It’s stereo, so you can really go to town with luxurious, languid tides of modulation if you feel like it!

Add life to your clean sounds and experiment with the extra dimension and shimmer a great Chorus can afford you. Whether your idea of a great Chorus sound is ‘Run to You’, Drab Majesty, Metallica intros or ‘Walking on the Moon’ (Yes, we know it’s a flanger, but you can nail that sound with this pedal!), we recommend you get busy with the MXR M234 Analog Chorus’ generous 5 controls and see how you can expand your sounds.

 

MXR M101 Phase 90

It’s the only phaser pedal you need. Seriously, the MXR Phase 90 has defined the sound of phasing on guitars so much that every other phaser pedal seems like a copycat. With only one control knob on board for speed, you can have Aint Talkin Bout Love, Shine On You Crazy Diamond and Cherub Rock, along with the entirety of psychedelic rock tones. No extra controls are necessary, because the effect is delivered just perfectly.

Used clean or with some crunchy overdrive, you’ll get timeless tone every time.

There are various permutations of Phase 90 out there - including a Vintage Phase 90 and a Script Phase 90 with LED - so you may want to experiment to see which one works best for you, but that magical signature swoosh is present in them all.

 

MXR M102 Dyna Comp

When a pedal becomes so well-used that it’s known simply as a ‘red compressor’, you know that you’re onto something.

The MXR M102 Dyna Comp is one of the most ‘modelled’ compressor pedals in this digital age, and this is precisely because so many guitarists rely on it to smooth out and even-up their tone.

Again, it’s a simple affair here, with only two control knobs onboard for output and sensitivity. Like other MXR pedals such as the Phase 90, the Dyna Comp is so dialled in already in terms of what it delivers, that you just don’t need more controls getting in the way! This straightforward ease of use is partly why the Dyna Comp is such a long-term success.

 

 

MXR M103 Blue Box

Calling the MXR Blue Box an octave fuzz is technically accurate but possibly misleading. But how else would you describe this pedal without starting to go into descriptions like ‘a sonic destroyer of worlds’ or something equally flowery?

It’s an octave fuzz indeed, but instead of those Hendrix-style upper harmonics that an Octavia would tease out of your tone, the Blue Box fuzzes up your sound and then gives you a note that’s two octaves below whatever you played. It’s also quite unpredictable in its tracking, so the notion of ‘hazard’ definitely comes into play.

 

M236 Super Badass Variac Fuzz

A quality Fuzz pedal is a welcome addition to any guitar player’s pedalboard. There’s no shortage of them out there, either! Having said that, a good 80% of them are clones of three or four famous fuzzes from the 60s, so it can be a matter of picking which one has the best graphics sometimes!

We were drawn to this MXR fuzz because of a unique feature: the ‘Variac’ control! Guitar fans will have heard about this device because Eddie Van Halen used such a thing (it’s a variable voltage selector and was used on dimmer switches for house lights back in the day) to overload the voltage of his old Marshall Plexi heads. Such was the ‘brown sound’, but that’s not the application here at all...

The Variac is simulated on this pedal to let you ‘starve’ or ‘juice’ the pedal with less or more voltage. Sonically, this means you can have a crisp, biting drive tone (with that characteristic lack of sustain that transforms your playing style) and a fat, gnarly silicon fuzz from one pedal. Also, you can get that amazing ‘dying battery’ vibe too, which sounds as authentically flappy and saggy as you’d hope. Throw away those near-dead batteries and stick this on your board! The lesser settings can also be pretty spectacular when used in tandem with other gain devices. If you like to experiment with textures, there are tons of ways to use the Super Badass Variac Fuzz!

 

M303 Clone Looper

Loopers have long since become essential ingredients in the contemporary guitarist’s pedalboard gumbo. Most major companies offer their take on the tech, so what makes this offering from MXR worth checking out?

Quite a lot, as it happens! Straight away, you can see that the lack of a screen and knobs (there is only one!) means that the Clone Looper is all about intuition. It’s a very simple unit to operate, but it gives you extremely high-fidelity looping quality, tons of room to store loops, extra functionality via inputs form two additional pedals, and tons more.

Yes, you can double the speed of your loops, and half the speed, allowing for some real sonic creativity. You even get a count in via four lights, so you can be even more precise with your loop launching!

The MXR Clone Looper is relatively small, runs on a standard 9v adaptor (running any loopers on batteries, even if they have that option, results in about ten seconds’ worth of power so it’s a constant hassle: just use plug in power) and fits into any existing pedal board set up with the minimum of fuss. You can be as casual with it as you like, or you can expand it via an expression pedal, a control pedal, and dive in deep. The choice is yours.

 

Timeless Tone

If you like your vintage effects pedals, then you’ll love MXR. Today’s brief skip through a tiny selection of their catalogue only proves how essential the brand has been to the development of modern guitar music.

MXR are going strong in 2024 with a huge variety of effects available. Click the button below to see the full catalog of top-tier effects, from the Poly Blue Octave to the FOD Drive!

 

Click to View our Full Range of MXR Pedals

 

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Ray

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I'm a musician and artist originally from the South West coast of Scotland. I studied Visual Arts and Film Studies at...

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